![]() Reasoning that, since some of the heroes' battles would be never-ending, they agree that whomever can immobilize their opponent first wins the match. To spare one of the two universes, the Spectre and the Living Tribunal convince the entities to have each universe's respective heroes fight as champions in their stead. We learn in issue #2, by writer Peter David and artists Claudio Castellini, Dan Jurgens, and Gregory Wright, that the Marvel and DC universes are actually a pair of cosmic siblings locked in a never-ending war for supremacy, where every battle results in the death and rebirth of both universes. The remainder of our list pulls from the 1996 crossover event "Marvel Versus DC" which saw heroes from both publishers forced to fight for the fate of their respective universes. After getting tossed around like a ragdoll, Superman tries to explain what's happening and make amends, but Hulk continues to fight until Lex attacks the two of them, and Hulk finally understands. When she points out that she was kidnapped by a robot, Superman realizes they've been set up. Superman hits Hulk hard and fast to keep him from being able to retaliate before throwing him miles away so he can tend to Betty. However, by the time Superman arrives, Lex Luthor is already on location with an elaborate scheme to use Hulk to take out Superman, using a robotic Hulk to kidnap Betty Brant and draw them into a final confrontation. Hulk tosses Superman into space, giving him enough time to finish his meal and escape.Īfter returning to Metropolis to chase leads as Clark Kent, Superman tracks Hulk to New Mexico. In short order, Superman arrives to stop him. After a nightmare forces Bruce Banner’s transformation into the Hulk, he attacks a BBQ. Superman," by writer Roger Stern and artists Steve Rude and Steve Oliff. Marvel and DC’s heaviest hitters finally got their own one-off face-off in the pages of "Incredible Hulk vs. When the radiation wears off, Spider-Man injures himself in his attempts to defeat Superman and the two talk things out, realizing they’ve been duped. After the real Superman is blasted with a red sun radiation blast from Lex Luthor, Spider-Man confronts him and is easily able to knock Supes around. Peter Parker, Mary Jane, Lois Lane and Clark Kent are all attending the World News Conference when a fake Superman kidnaps Lois and MJ, leading both Peter and the real Clark to switch into their superhero identities to rescue them. Octopus’ plans for world domination, but a misunderstanding between the two when they first meet leads to a super brawl between The Man of Steel and ol’ Web Head. The story ultimately deals with Superman and Spider-Man teaming up to stop Lex Luthor and Dr. The Amazing Spider-Man: The Battle of the Century" by writer Gerry Conway and art by Ross Andru, John Romita Sr. Anything can happen with the right people and place, and the right leadership, having the right conversations.A year after Marvel and DC collaborated for the first time on "MGM's Marvelous Wizard of Oz" in 1975, the two companies decided to have their two most iconic characters meet in the one-off "Superman vs. I truly believe that anything can happen. And then if they do, then let's create it. And if the end goal is to have some sort of crossover that can be compelling, smart, cool for the fans, let's get a temperature gauge if they'd like to see something like that. I'd like to think that we would see that. ![]() With the excitement of the "Black Adam" premiere buzzing all around him, Johnson reiterated: On the red carpet for the movie, which has gained positive early buzz, the actor responded to a question from Variety, referencing previous statements he's made about how he's optimistic that DC and Marvel will "cross paths one day" onscreen. If that sounds like a pipe dream, just know that Johnson and "Black Adam" are bent on world domination. The next logical step from there would be to merge the two multiverses into one big superhero multiverse containing both DC and Marvel, perhaps every comic book movie ever made.
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